পাতা:সৌন্দর্য্য তত্ত্ব - অভয় কুমার গুহ.pdf/২৭২

পরিশিষ্ট (খ )। ললিতকলার স্বরূপ সম্বন্ধে কতিপয় প্রবীণ লেখকের মৃত নিয়ে উদ্ধৃত করা গেল - , "This analysis was, applicable, in Plato's mind, to all arts and crafts as well as to natural objects, and he actually employs the word “imitation to express their embodiment of spiritual ideas in sensuous form.' Alato in Asosanquets Astory of 4esthetic. “Our conclusion then must be that Aristotle was driven to stretch the idea of imitation, but that he did not reject it in favour of the idea of symbolism. Given reality was still for him the standard, but he saw the difference which treatment produced in it--he saw that it must be idealised. This is a position fairly in accordance with the apparent actual process of art, but ultimately inconsistent with itself, and unstable. For if given reality is the standard, what is to indicate the direction in which it is to be idealised ? Zhe true ansver, 'a deeper reality' is excluded eachypothesis so long as given reality is the standard.' 4ristotle in Aosanguet's Aistory of Aesthetic. 'We must bear in mind that the arts do not simply imitage the visible, but go back to the reasons from which nature comes ; and further, that they create mind out of themselves, and add to that which is defective as being * themselves in possession of beauty.” Plotinus in Bosanguet’s - Eastory of 4esthetic.