তৃতীয় ভাগ

সূচীপত্র

কালিদাস-সাহিত্যে বিহঙ্গপরিচয়

মেঘদূতের পক্ষিতত্ত্ব (১) 

পাখীর প্রব্রজন-রহস্য—ক্রৌঞ্চরন্ধ্র—রাজহংস—সারস—চক্রবাক—গৃহবলিভুক্—বলাকা
…          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …
পৃঃ ১২৩—১৪৫

মেঘদূতের পক্ষিতত্ত্ব (২) 

শিখী—সারিকা—পারাবত—চাতক
…          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …
পৃঃ ১৪৬—১৬১

ঋতুসংহার (১) 

গ্রীষ্মবর্ণন—হংসকাকলী—শরদ্বর্ণন—হেমন্ত—হংসের প্রব্রজন ও গতিবিধি—রাজহংস—কাদম্ব
…          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …
পৃঃ ১৬২—১৭৩

ঋতুসংহার (২) 

কারণ্ডব—সারস—ক্রৌঞ্চ—ময়ূর—কোকিল—চাতক—শুক
…          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …
পৃঃ ১৭৪—১৯১

নাটকাবলী

বিক্রমোর্ব্বশী 

গল্পাংশ
…          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …
পৃঃ ১৯২—২০৪

মালবিকাগ্নিমিত্র ও অভিজ্ঞানশকুন্তল 

গল্পাংশ
…          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …
পৃঃ ২০৫—২১৮

নাটকে পাখীর পরিচয় 

রাজহংস—চক্রবাক—সারস—কারণ্ডব—ময়ূর—শুক—পারাবত—কপোত—চাতক—গৃধ্র, শ্যেন—কুররী—শকুনি—কোকিল
…          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …
পৃঃ ২১৯—২৫৭

রঘুবংশ ও কুমারসম্ভব 

সারস—হিরণ্যহংস—চকোর—হারীত—কঙ্ক—কপোত—শ্যেন, গৃধ্র—খঞ্জন
…          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …          …
পৃঃ ২৫৮—২৬৭